Our other protagonist is Oskar, a fat little nerd and child of a single mother who is the natural target of the bullies in his school. Not just because Eli has been stringing along her assistant/guardian Hakan for years with the occasional touching (but no more than that) of her prepubescent, undead body. There is a lot of blood (and other bodily fluids) in this book. Lindqvist is a very evocative writer, capturing cold, dirt, darkness, bleakness, and of course, blood and terror. The point of emptiness that contained everything.Īnd in its place someone had superimposed a pair of jeans. The sculptural enormity and richness of detail of this picture was simply a frame a backdrop to emphasize the crucial void in the center.

There was a space between them a millimeter or so wide. The whole point of the picture at least as he saw it was that these two monumental bodies each came to an end in two index fingers that almost but not quite touched. Michelangelo's 'The Creation of Adam' where you see a pair of jeans in place of the spark.

The work of the great masters were at most employed as ironic references or in advertising. No respect for beauty - that was characteristic of today's society. Even Hakan, the gruesome, pedophiliac Renfield of the tale, mopes about the banal horrors of modernism. The newly built Swedish suburb in which the story takes place is one described in the opening pages as one without a history, without churches, without culture. In many ways, Let the Right One In reads like a statement of revulsion against the banal, dehumanizing sterility of modern life. It has the same dark modern tone, set in a bleak townscape where the real evils are mundane things like alcoholism, unemployment, and domestic abuse, and the addition of a supernatural monster just increases the body count a little. This is a classic vampire story that will remind King fans very much of Salem's Lot. But there is something wrong with her, something odd. A new girl has moved in next door - a girl who has never seen a Rubik’s cube before, but who can solve it at once. While Oskar is fascinated by the murder, it is not the most important thing in his life. Twelve-year-old Oskar is personally hoping that revenge has come at long last - revenge for all the bad things the bullies at school do to him, day after day. It begins with the grizzly discovery of the body of a teenage boy, emptied of blood. Set in 1983, Let Me In is the horrific tale of Oskar and Eli.

Let the right one in a novel