the perfect world of miwako sumida by clarissa goenawan

In the first section, we’re introduced to Ryusei, his older sister Fumi, and his two friends Jin and Toshi, as well as Miwako, and her two friends Chie and Sachinko. Certainly, Goenawan’s premise is Murakamian, and it’s through the setup of this establishing section that’s the most compelling of the novel. Jazz, rainy night, lost cat, interpersonal drama: Bingo! They’re so easily identifiable and time-tested, I’m surprised we haven’t seen more novels try to borrow the aesthetic. They’ve become somewhat of a joke in the literary world. Murakami’s tropes are no secret-he wears them proudly on his sleeve. The Perfect World of Miwako Sumida struggles with awkward writing, unflattering structure, and strange tonal decisions, that even the more interesting characters from the cast can’t bring to a more coherent whole. But while Murakami’s recurring elements are easily identified, they’re not as easily employed by a writer. Instead, it’s the sophomore novel from Singapore’s Clarissa Goenawan, The Perfect World of Miwako Sumida. You could be forgiven for thinking this was the setup to the latest story from perennial literary darling, Haruki Murakami. Ryusei decides to set out to find out exactly what truth Miwako spoke of. Before Ryusei knows it, Miwako disappears, and the call comes later she’s been found dead, via suicide. In letters, she mentions having withheld the truth from Ryusei, which in Miwako’s eyes, prevented them from being together. No matter how close they get, she refuses to go on an official date with him, saying it would never work out.

The two begin spending lots of time together, mostly reading. One, named Ryusei, becomes smitten with a girl named Miwako.

Three college guys go to meet three college girls at a small diner.

The perfect world of miwako sumida by clarissa goenawan